Friday, December 25, 2009
The devil aka the clown caught in his natural enviroment x-mas morning...
our little tree...
So the lady bought me some new (used) vinyl for x-mas, made me eggs and beans with an english muffin and let me have a few hours to play with some of my new gifts...
some of them i bougt for myself and one or 2 were already laying about... she even caught a shot of the elusive devil himself mid action w/ the new camera i bought her for x-mas... the old one got smashed on the jetty at Barnegat light... long story, don't ask... anywho, just something i threw togther x-mas morn while enjoying a good english breaky... Merry X-mas from the devil... special thnx to some ass from north Pennsy soon to be Cana-DUH... and the lovely JJB! Enjoy!
Can - Mary, Mary, So Contrary
Syd Barrett - Rats
Captain Beefheart - Big Eyed Beans From Venus
Butthole Surfers - I Saw An X-Ray Of A Girl Passing Gas
Luv Machine - Witches Wand
Batus! A-Go! Go!
Big Black - Kerosene
Johnny Rivers - Poor Side Of Town
The Hypnotics - Rock Me Baby
Warhorse - St. Louis
German Oak - The Third Reich
Merry X-mas from the Devil...! Mix
Monday, December 21, 2009
“Ride With Me" was song by rock band Steppenwolf featured on their album For Ladies Only. It was originally performed by Mars Bonfire on his self-titled album with a length over six minutes and under the title "Ride With Me, Baby". The song peaked at 52 on The Billboard Hot 100. The tune was covered by The Alice Cooper Band in the film, Diary of a Mad Housewife and obviously covered here by Bobby Blue.
Who is Bobby Blue? Hell if I know… Do you…???
Bobby Blue - Ride With Me Baby
Friday, December 18, 2009
If you have to pick one day in every week it might as well be Friday...
I know nothing about this band, but i do know that this has a very David Bowie vibe, at least to my ears. And that is good enough for me.
Here is what i found out via the web:
Procession was a jazz-tinged rock band formed in Melbourne in October 1967. The group is most notable for including English guitarist Mick Rogers who later joined Manfred Mann’s Earth Band. Drummer Craig Collinge was a member of British proto-punk band Third World War.
Happy Friday & enjoy the weekend!
Procession - One Day In Every Week
Monday, December 14, 2009
Bobby Scott (1937, Mt. Pleasant, New York – 1990) was an American musician, record producer, and songwriter.
Scott was a pianist, vibraphonist, and singer, and could also play the accordion, cello, clarinet, and double bass. He studied under Edvard Moritz at the La Follette School of Music at the age of eight, and was working professionally at 11. In 1952 he began touring with Louis Prima, and also performed with Gene Krupa and Tony Scott in the 1950s. In 1956 he hit the U.S. Billboard Hot 100 with the song "Chain Gang", peaking at #13. (This is not the same song as Sam Cooke's "Chain Gang".) As a bandleader, he did sessions for Verve, ABC-Paramount, Bethlehem, and Musicmasters. As a songwriter, he won a Grammy award for Best Instrumental Composition for the song "A Taste of Honey". In addition to "A Taste of Honey", Scott also co-wrote the song "He Ain't Heavy, He's My Brother". In the 1960s he became a music teacher and studied again under Moritz, but occasionally recorded as well, including a Nat King Cole tribute album released in the 1980s. He also arranged for jazz and easy listening musicians such as Les and Larry Elgart.
Don't know what it is about this song but i realy dig it...
Bobby Scott - Chain Gang
Wednesday, December 9, 2009
Just some mid week rock with the Rockin R's on Tempus (TR-1507) from 1959!
I already had their 1st 45 Crazy Baby/The Beat and just uncovered this white label promo of their 2nd 45. I i dig this one almost as much as the 1st one!
The following is taken from the Rockabilly hall Of Fame
Those two cats with the thousand dollar Jimmy Carter smiles strummin' their way to infamy on their platter's front cover are Ron Volz and Ron Wernsman, kingpins supreme of the legendary Rockin' R's rock 'n' roll group. Now it's important when sizin' up these hombres' whole wazoo to flip back over to the other side of this cardboard and dig their surroundings, 'cause it was in those environs - the Wernsman family basement way out in Peoria, Illinois suburb of Metamora - that the R's first lit their fuse in late 1957 with their special brand of subterranean swing.
"Mr. Wernsman was just the greatest guy," sez Volz. "Five nights a week he let every kid in town down to his basement for a party. Packed every night. We had a lotta tuff gangs in town and they'd come by, too. All Mr. Wernsman asked was that they check their weapons at the door - "GUNS AND KNIVES UNDER THE FLOWERPOTS, FELLAS!' There was virtually nobody playin' rock & roll in town, so Ron & I got things goin' with our guitars." With sprite fingered Volz pickin' leads over Wernsman's rhythm, they became the Rockin' R's when they grabbed Ted Minar offa Mr. W's basement couch to pound the skins. The trio blasted the hits of the day (leanin' heavy on Berry, Vincent, Little Richard & the Everlys) to the lucky legions in that finely wallpapered basement.
Outta these cellar bashes come the earliest recordings on their LP - a roarin' version (well, half a version) of "Whole Lotta Shakin'" taped at an R's party and a handfulla rehearsal swingers like the Sparkletones-styled shuffler "Gonna Snatch Me A Satellite" (actually a wise retitling of the Couplings' hokey pop toon "Young Doves Calling") and a boffo step onna gas kicker of "You Send Me."
As word of these beat wild teens spread through town, the combo picked up a lotta work at hops & parties. Local wheeler dealer Steve Clark interested the trio in waxin' for the newly hatched Tempus label and promptly trotted the threesome into yet another Peoria storm cellar (do you detect a pattern developing here?) to cut their coolest original "Crazy Baby."
But it was while the Rockin' R's were warmin' up with some non-vocal racket that Tempus hit paydirt. "The weird thing," sez Volz, "is we just started horsin' around while he was settin' up. He taped a little bit, called it 'The Beat' and it became the biggest hit we had!"
To whoop up the act a bit, the Rockin' R's took on a forth member, local sax boy Rick Bressick. Now Bressick was no threat to Lee Allen but he helped plant an important seed in the combo's collective noggin, namely that a sax would help 'em compete with a lotta the tuff fuller combos that were THE deal in '58. This short lived ineup made several appearances on the Paul Beard Show, a local TV variety program hosted by car dealer Beard, whose hackneyed approach to rock & roll makes Steve Allen seem like the Mad Daddy. In addition to their own TV spots, some of which are paraded on the platter, the band reluctantly backed a horrid hometown chickadee Judy Noll, the Linda McCartney of Peoria.
Meanwhile, back in the charts, "The Beat" spread like crazy locally, goin' on to top many midwest hit parades and ultimately made a national holler with strong placing in both Billboard & Cashbox, earnin' the boys the surefire girl-getter, namely a spot on American Bandstand. Six months after "The Beat" charted, the Rockin' R's pumped out "Heat"/"Nameless", another strong two-sider for Tempus, sportin' a marked upswing in the sound thanks in no small part to Bressick's replacement on sax, Art Bill. The R's literally yanked Bill right offa the stage of a strip joint called the Clover Club and this, the group's most durable lineup, toured purdy much non-stop, landin' dream gigs with their idols Jerry Lee Lewis and Gene Vincent amongst others. Sez Volz, "After the first record hit, everything started happening real fast. We were so young and willin' to do anything on stage - climb on equipment, climb on each other, hang from the celling, anything! Our whole outlook got outta hand but man, we loved it!"
Instead of lettin' the guys follow the cool path they were rockin' out, Tempus tried to market Volz as a teen idol. After a couple poppy sides it was agreed this brainstorm wasn't doin' anyone a whole lotta good and the Rockin' R's duly bounced back with the scorchin' "Mustang," jumblin' the looseness of "The Beat" with the ballsy drive of "Nameless." It was a fantastic disc but Tempus steadily became untracked with a string of non-R's money dran flops and the label went kaput. It seemed the guys wre starin' some long green inna face by steppin' up to the big time Vee Jay label but the effortless cellar swing that was the Rockin' R's trademark suffered in the process, what with rigid studio confines, reshuffled personnel (Wernsman even conceded and switched to the taboo bass) and just plain weariness. The Rockin' R's ultimately crapped out in "62, plumb outta gas accordig to Volz.
That's purdy much the musical end in the proverbial nutshell, but there's a whole lot more to the Rockin' R's tale (like the time Wernsman put his ass thru a jukebox and they hada tape his bloody cheeks together to finish a show!) which Bob Paton & Steve Rager spilled out in fine detail in KICKS#6. So now after alla those moons their LP is the very first collection of toons by (as goofball MC Paul Beard intoned) "the rock & rollers from Metamora," a little ruff but plenty wingding worthy (guns & knives under the flowerpots, of course). So get with the Rockin' R's, muchachos, and go CRAZY BABY!!
Rockin R's - Nameless
Rockin R's - Heat
Monday, December 7, 2009
Formed in 1960 in Astoria, New York, USA, the Devotions were a doo-wop group best known for their 1964 novelty recording ‘Rip Van Winkle’. The group included Ray Sanchez, who sang bass-lead, Bob Weisbrod, Bob Hovorka and brothers Frank and Joe Pardo. With their manager, the group auditioned in 1960 for a small record label, Delta, whose owner, Bernie Zimming, was not impressed with their sound. The group wrote ‘Rip Van Winkle’ that day and Zimming liked it. However, it did not sell, but two years later, when the larger Roulette Records acquired Delta, it was released again. It still did not reach the charts, and the group disbanded. In 1964, however, Roulette included the song as part of a Golden Goodies album series and it attracted more attention. Roulette issued the single for a third time and this time it made the US Top 40. A new Devotions group was assembled including three original members, but when further singles flopped, they disbanded in 1965.
The Devotions - Rip Van Winkle
Johnny Cymbal (February 3, 1945 - March 16, 1993) was a Scottish born American songwriter, singer, and record producer who had numerous hit records, including his signature song, "Mr. Bass Man".
During a career that spanned four decades, from the time he was 15 until he died in 1993, Johnny Cymbal made a meaningful impact on popular music worldwide as a songwriter, singer, performer and record producer. During those years, in addition to his rock and roll anthem, "Mr. Bass Man", he was responsible for hit records including: "Teenage Heaven", "Cinnamon", "Mary In The Morning", "Rock Me Baby" and "I'm Drinking Canada Dry".
In 1963, with his smash hit "Mr. Bass Man" all over the top of the charts from the United States to Asia, Johnny Cymbal was recognized as a teen star. While continuing to record, he toured the U.S., Europe and Japan performing as both a solo headlining act and in rock and roll package shows. Later, as a songwriter and record producer, he found success in New York City, Los Angeles, and Nashville.
Read more Here:
Johnny Cymbal - Mr. Bass Man
I'm sending these two out to my internet blog pal Jon over at Poetry Is For Assholes for trying to help me out w/ The Holy Modal Rounders.
It's a long story that started w/ Sheriff and the Ravels, went to the Holy Modal Rounders and ended here... (or did it?)
... Enjoy the tunes!