Showing posts with label 1973. Show all posts
Showing posts with label 1973. Show all posts

Tuesday, February 28, 2017

Friday, March 25, 2016

Wednesday, March 23, 2016

White Chocolate - Midnight Flight


Groovy, under the radar, slightly funky hard rock/psych from 1973. Apparently these guys used to back the likes of Buddy Miles and Arthur Lee.

White Chocolate - Midnight Flight

Tuesday, August 18, 2015

Neil Norman - Pasher-Laser


When vultures cry
Streets run red with human blood
All the world is dark
Death screams through the earth....

Neil Norman - Pasher-Laser

Thursday, September 27, 2012

Hey Anonymous, you still out there....???

Back in June I posted a mix. The Summer 2012 100 Degree Heat Mix - The Devils Music Mix Vol. 23. I asked folks to guess the tracks. A few were guessed right away and then the mix sat there dormant for months and then I got an Anonymous player who started guessing everything in site! Well, he got stuck on a few and this is one of the tracks. So for all his hard work and effort I am throwing him a bone and giving him one of the unguessed tracks. So here it is.... Track 9 from The Summer 2012 Summer 100 Degree Heat Mix, Ussery from 1973 with some great Hendrix/Trower inspired guitar rock.

Ussery - Listen To The Melody

For those that might want to try the remaining tracks or just check the mix out, you can do so HERE:

There is also an older mix I did back in May 2011 called Mind Games where i asked people to call out the tracks.... I got a few tracks guessed and then nothing. Go have a stab at it PLEASE & THANK YOU.

Cheers!
DD

Friday, May 4, 2012

Hello - Another School Day - C'Mon Get Together




Heavy punky UK glam with a little poppy & catchy chorus action from 1973.... Good stuff.

You can read a bunch more about them HERE:

Hello - Another School Day

Hello - C'Mon Get Together

Saturday, April 28, 2012

Joe Quaterman And Free Soul - Find Yourself


Quarterman was an unfairly overlooked funk and soul singer influenced by -- but not imitative of -- James Brown. Honing his chops in church choirs and various vocal groups, Quarterman earned the nickname "Sir" in high school while singing with a group called the Knights; he subsequently joined up with a female backing quartet as Sir Joe & the Maidens and cut a few records during the early '60s. Quarterman went on to play trumpet in the El Corols (aka the Magnificent Seven), whose highest-profile gig came as Garnet Mimms' backing band. In 1970, after playing jazz with the Orlando Smith Quintet, he formed a backing group called Free Soul, which featured lead guitarist George "Jackie" Lee, jazz-trained guitarist Willie Parker, fretless bassist Gregory Hammonds, keyboardist Karissa Freeman, drummer Charles Steptoe, and horn player Leon Rogers. Their first single, "(I Got) So Much Trouble in My Mind," was also their biggest, reaching the R&B Top 30 in early 1973. Quarterman's only LP, Sir Joe Quarterman & Free Soul, was released later that year on the small GSF label, and showed Quarterman to be an avatar of the kind of hard, socially conscious funk James Brown often recorded during the early '70s. Further singles followed, including "This Girl of Mine (She's Good to Me)," "I'm Gonna Get You," and "Thanks Dad," before Quarterman moved to Mercury in 1974. Unfortunately, the label issued only two singles, the fine "Get Down Baby" and "I'm a Young Man," before letting Quarterman go. Financial problems broke up the band, and Quarterman quit the business to return to college and earn his degree in architecture. Collectables reissued Quarterman's lone album on CD during the '90s, adding several non-LP singles as bonus tracks."
allmusic.com

Joe Quaterman And Free Soul - Find Yourself

Friday, January 8, 2010

Spontaneous Combustion - Brainstorm - Spaceship - Monlith (Parts 1, 2 & 3)


Today we get some hard driving rock and roll with some psych and jazz tinges and some really kick ass guitar work. This band is way under rated IMHO. The songs are well written and performed to perfection. The band is tight as shit and the playing and production is crisp and clear. Why more people don't get on board with this group is beyond me...

Spontaneous Combustion were an English progressive rock power trio active in the 1970s. The band consisted of Gary Margetts on guitar and lead vocals, his brother Tristiam "Tris" Margetts on bass guitar, and drummer Tony Brock. Spontaneous Combustion released two albums, Spontaneous Combustion (1972) and Triad (1973), both produced by Greg Lake of Emerson, Lake, & Palmer. They disbanded after their second album and the Margetts brothers have gone almost unheard of since. However, Tony Brock has worked with Rod Stewart and been a member of the bands Strider and the Babys.

It's a shame Gary Margetts never resurfaced as his guitar playing and vocals are really excellent and as i said before way under rated. Anyone know if he has ever done anything else? Either way enjoy these 3 cuts from the 2nd album and 3 of my faves from Triad.

Spontaneous Combustion - Brainstorm
Spontaneous Combustion - Spaceship
Spontaneous Combustion - Monlith (Parts 1, 2 & 3)

Tuesday, May 26, 2009

Laura Lee - I Don't Want Nothing Old (But Money)



I've been on a soul kick of late so i think i'm gonna keep on with that vibe for a while. I don't have much to say so read the wiki below if you want the 411...

Laura Lee (born Laura Lee Newton, 9 March 1945, Chicago, Illinois) is an American soul and gospel singer and songwriter, most successful and influential in the 1960s and 1970s particularly for her records which discussed and celebrated women’s experience.

Lee was born in Chicago, but as a child relocated to Detroit with her mother. After a few years, she was adopted by Rev. E. Allan Rundless, who had previously been a member of the Soul Stirrers, and his wife Ernestine, who led a gospel group, The Meditation Singers. Featuring Della Reese, they were the first Detroit gospel group to perform with instrumental backing. The group recorded on the Specialty label in the mid 1950s, appeared on the LP Della Reese Presents The Meditation Singers in 1958, and in the early 1960s recorded for Checker Records.

As Laura Lee Rundless, she replaced Reese in The Meditation Singers in 1956, and over the next few years toured widely around the country. In 1965, as Laura Lee, she launched her secular solo career as an R&B singer in clubs in Detroit, although she also continued to record occasionally with The Meditation Singers. She first recorded solo for Ric-Tic Records in 1966, with "To Win Your Heart". The following year she won a recording contract with Chess Records, and travelled to Rick Hall’s FAME Studios in Muscle Shoals to record "Dirty Man", which became a # 13 R&B hit (also # 68 pop). She stayed with Chess until 1969, touring and also recording "Up Tight Good Man" and "As Long As I Got You".

Lee then moved to Holland, Dozier and Holland’s newly established Hot Wax label. One of her first recordings for Hot Wax, "Women’s Love Rights", became one of her biggest hits, reaching # 11 on the R&B chart in 1971 and # 36 pop. In 1972, "Rip Off" reached # 3 on the R&B chart, but only # 68 pop. She also recorded an album, Two Sides of Laura Lee, while in a relationship with singer Al Green.

Lee left Invictus / Hot Wax in 1975 and signed with Ariola Records, but became seriously ill shortly afterwards and retired from the music industry for several years. She returned in 1983 with a gospel album, Jesus Is The Light Of My Life, on which she worked with Al Green. By 1990 she was recovered from illness, and had been ordained as a minister. She has continued recording music to this day.



Laura Lee - I Don't Want Nothing Old (But Money)

Monday, February 16, 2009

Rose Davis - Sittin' and Drinkin' - Yes I've Been Crying



Ok, i took a few days off from posting but i have the day off today in honor of a bunch of dead assholes...
So today you get you get something i plan on doing a little bit of on my day off from work, “Sittin’ And Drinking” by Rose Davis.

“Sittin’ And Drinking” is blues number witth some good guitar work. It's a cover of a Christine Kittrell song. This was 1st issued in New Orleans on the "Play" label and later picked up after it became semi popular by Excello.

The flip is a little funky number with some strange horns and then shifts into a 50's kind of shuffle. Cool but strange tune.

Rose Davis - Sittin' and Drinkin'
Rose Davis - Yes I've Been Crying

Monday, December 8, 2008

Charles Bevel - Porcupine Meat - Sally B. White




Porcupine meat, too fat to eat, to lean to throw away…

Man what a cool 45 from a guy I knew nothing about until fairly recent when I found this 45 in a pile of rotten old vinyl.

Mississippi Charles Bevel, multi-media artist and lecturer began his professional career in 1973. From 1973 through 1983 he performed intermittently as a musician, including a self terminated one year stint as a recording artist on the A&M record label. During that ten year period the most meaningful of those years of Mississippi were spent performing as a duo with another songwriter/performer, Chic Streetman. They also worked as an opening act for such artists as Taj Majal, Richie Havens, Hoyt Axton; Sonny Terry and Brownie Mcghee, Doc Watson, B.B. King, Third World, Albert King, Gil Scott Heron, etc.

Not sure why he terminated his contract with A&M bit it’s a bit of a shame because these 2 tunes are pretty damn cool and I had no idea who he was until I stumbled upon this 45 a while ago. Maybe if he stuck around more folks would know who he was. Or maybe they do? Now I have to find his full length album and see if the rest is as cool as this 45…

MY EVOLUTION

An Autobiographical Sketch
by Mississippi Charles Bevel

I was born the fourteenth of seventeen children, to cotton-plantation parents in the Delta of Mississippi.

For a time covering some thirty years after my birth, in periods of one month to less than two years, I had spent time in Mississippi counties like Sunflower, Leflore, Tunica and Choctaw; on cotton plantations like Joe Perry's and Joseph Pugh's; in small towns like Wier, Itta Bena, Swifttown and Greenwood. Then it was out of Mississippi and on to big cities like Memphis, St. Louis and Cleveland. And then, on to military bases in Illinois, Oklahoma, Tennessee, Hawaii, Japan, Kwajuluen Island, Midway, Alaska and California.

Working, always working; as a cotton picker, a shoeshine, stock clerk, dishwasher, grocery clerk, aviation electronics technician, naval in-flight radio operator, electrician, steel mill laborer, television engineer and ICBM missile test technician. To all of that--the places and the jobs--there are those who can bear witness.

In May of 1968, I returned from Africa, where I had lived for three and one-half years. That three and one-half years in Monrovia, Liberia was the longest that I had ever lived in any one place in all those thirty years.

During those many years there was no one, other than myself, who could have borne witness to the artists gestating inside of me; artists barely kept alive, but who could sing, write, act, and create visual art. At thirty-one the musician was born; at forty, the writer; at forty-eight, twins, the actor and the visual artist. Giving birth to those mysterious personalities, my bumbling attempts at nursing those babies, was not only an unnerving disruption to my own life, but extremely confusing and disturbing to family and friends as well.

At sixty, there is some disquiet in my life, but hardly about death. Life has showered me with too much sweetness to leave me fretting over when death will appear to gather my bones. Any uneasiness is about the illusion of time; not enough time left to divulge my revelations; my mysteries. Not those places mentioned above or the people met along the way--the world is well acquainted with those places and faces. Sure, I've been to forty seven states and ten foreign countries. But do you really want to read another personal travelogue? How about some real biography; the feelings, the thoughts, the uncommon visions and singular experiences that we all have had but which few of us can find the courage to share. There is the powerful hope that someday through my "other children"-- those half nourished artists that I have given birth to--you will get to taste, see, hear, touch, smell, and even balance against your own, my mysteries--the real biography of Mississippi Charles Bevel.

An alone life, yes. But hardly a lonely one!

Charles Bevel - Porcupine Meat
Charles Bevel - Sally B. White

Friday, December 5, 2008

Earth and Fire - Maybe Tomorrow, Maybe Tonight




Ok, once again proving that everything and anything goes, here is a really strange cut by "Earth & Fire" minus the "Wind".

This a really odd track that sounds kind of like a psychedelic ABBA! Odd pounding tribal drums over effected heavy organ sounds, wah-wah guitar and a wild guitar solo that sounds if Yngwie himself were were playing, all over this kind of syrupy sweet vocal line and chorus = strange. The even stranger thing is is that i really dig it...

Not sure what that says about me. But take a listen and tell me what you think...

i may just be out of my mind on this one....

Anywho, this was a Hit in the Netherlands where these guys and gal were from which accounts for some of the oddity here i would assume.

This hit #7 in NL and was their 7th Top 10 Hit in NL....
Started in 1967 with twin Brothers Chris (Guitar) and Gerard (Keyboards) Koerts, Hans Ziech (Bass) and Hans Kalis as a group called "Opus Gainfull" also female singer "Manuela Berloth" was in the band at this point but became sick at the beginning of 1969... They changed the name of their band to "Earth & Fire" and Jerney Kaagman was added as the new singer, who apparently is now a judge on the Dutch version of "American Idol"...

Earth and Fire - Maybe Tomorrow, Maybe Tonight

Monday, November 24, 2008

Partick Sky - Child Molesting Blues - Luang Prabang



Something a little different here today and something i don't think I've touched on before; Some comedy based satire music from Patrick Sky. After all this an "eclectic" blog. Anywho, here's a couple oddball tunes to get yer week started.
Patrick Sky, born Patrick Lynch in Georgia in 1940, is a musician, singer and songwriter of Irish and Native American (Creek Indian) ancestry. A contemporary of Bob Dylan and others in the Greenwich Village folk boom of the 1960s, following military service Sky released a number of well received albums from 1965 onwards and played with many of the leading performers of the period, particularly Buffy Sainte-Marie, Eric Andersen and the blues singer Mississippi John Hurt. Sky's song Many A Mile became a folk club staple, and has been recorded by Sainte-Marie and others.

Becoming increasingly disillusioned with the music business and politically radical, Sky released the controversial and scabrously satirical Songs That Made America Famous in 1973 (the album was recorded in 1971 but rejected by several record companies before it found a home); to this day he claims to have received no royalties for the album. This album featured the earlier known recorded version of the song Luang Prabang, written by Sky's friend Dave Van Ronk. Following its mixed reception (some critics found it obscene), Sky gradually moved into the field of Irish traditional music, founding Green Linnet Records in 1973. Today he is recognised as an expert in building and playing the Irish uillean pipes, often performing with his wife Cathy. He has also published several books on the subject.

Partick Sky - Child Molesting Blues
Partick Sky - Luang Prabang

Monday, November 10, 2008

The Sweet - Man From Meca




Mostly known for their sickeningly "sweet" bubblegum brand of pop "glam" music, what we have here is a real MUSCULAR rock workout by The Sweet.

This aint no "Fox on the Run" or "Ballroom Blitz" or even "Little Willy" which just so happens to be the A side here. But this B side is a bit of Heavy Proto-Metal from 1973, and while this isn't quite on par as say Sabbath, Heep, Purple or the heavier side of Zep, this is certainly equal or better than any of the 2nd tier rockers like Foghat or Nazareth ever came up with... And while The Sweet certainly had some edgier songs this one really does it for me. One can only imagine if they put down the hairspray and leather trousers and actually tried to rock what other great heavy rockers they could have came up with.

The Sweet - Man From Meca

Sunday, June 29, 2008

Donovan - Wild Witch Lady



Ok i had my weekend all planed out with some record digging and posting and after a great Friday night out for some sushi and wine with some of my favorite blogging musical peers, DJ Prestige of Flea Market Funk fame, Larry Grogan from Funky 16 Corners and the lovey JJB from Eye Eat Music I though man what a great weekend this is going to be. But after some fine wine, lots of music geek talk and great sushi at Taka in Asbury Park, back over to DJ Pres' house for some more wine and great spun tunes by the DJ himself and then over to the Brick wall for a few pints of Stella to hear DJ Jack the Ripper spin some 80's dance music all should have been right in the world but alas i woke up at 4 in the morning with my throat closed shut and choking on my own uvula and spent Saturday morning in the hospital with some sort of crazy allergic reaction. So no posting and no record digging for the devil...

I'm on some kind of steroids and prescription allergy meds and have to see a specialist to see why this all happened. But any i'm braving this ill feeling to try and put together a little something to hold you good folks over that keep coming back and i really appreciate it as i rapidly close in on 50,000 hits!!!

so keeping in line with my last posting of the Butthole Surfers doing some Donovan i give you Donovan doing Wild Witch Lady one of my personal faves from Mr. P Leitch off his Cosmic Wheels album, a cut i know my man Deacon Brimstone over at Blues for the Red Boy will appreciate.

While Donovan is mostly know for his whimsical Folk songs and mild Psychedelia this track has a bit of a harder edge. Kind of like T. Rex meets The Occult!

Hope you dig...?!?!???

Donovan - Wild Witch Lady