Showing posts with label Classic. Show all posts
Showing posts with label Classic. Show all posts

Sunday, March 16, 2008

Travis Wammack - Scratchy





This is one of thee greatest 45's ever recorded! And could be one of my top 5 of all time! I don't know what it is (but there are many things) about this tune that hits me hard. First thing is, is that its early, recorded in 1962 but not released until 1964, second thing is, is just the movement of it, 3rd thing is, the actual playing on it!, 4th thing is, Travis was a mere 16 years old when he recorded this amazing cut! 5th thing is, way pre Pink Floyd there is a total backward tape masking thing going which is pretty crazy for the era (but hell if i can make out what is being said), 6th thing is that its just fucking cool!!!! I mean if this don't ruffle your feathers please move along.... This cut is SO cool that Davie Allen & the Arrows covred it on their first album in 1965!!!

"Scratchy," has a melody borrowed from Mel Tormé's 1962 hit "Comin' Home Baby" and a bizarre vocal break consisting of backwards tape effects, was only a minor hit in its day but should be regarded as a classic of instrumental rock & roll.!

A little info on Travis:

Travis was born in Walnut in 1946, Mississippi, he began his professional music career when he wrote and recorded his first record at the tender age of eleven, and also became the youngest member ever voted into the musicians union. After moving to Memphis, Tennesse, the young guitarist made his mark on the music world at the age of sixteen with his 1963 hit “Scratchy”.. By 1969, Wammack’s skills landed him in Muscle Shoals, Alabama where he teamed with legendary producer Rick Hall at Hall’s FAME Records. Travis’ guitar licks can be heard on hit records recorded by artists such as Aretha Franklin, Wilson Pickett, Little Richard, Mac Davis, Clarence Carter, the Osmond Brothers, Bobbie Gentry, Candi Staton, Delbert McClinton, Liza Minnelli, Narvel Felts and many more. Wammack’s solo artist career (produced by Hall) also sky rocketed with the release of albums in 1971 and 1975. He traveled the world as Little Richard’s band leader from 1984 until 1995, performing on several nationally syndicated television programs. Wammack became known as the “fastest guitar player in the South”, where he was described by Rolling Stone’s Greg Shaw as “the fastest guitar player I have ever heard in my life, and not just fast but good. Brilliant, even...

Dig in to one of the devils fave tracks ever!!!

This one goes out to my man at Blues For The Red Boy for his love of all things 60's and RAWK!

Travis Wammack - Scratchy

Friday, February 29, 2008

Gandalf - Golden Earings - Never Too Far





Here's one of my favorite 45's from one of my all time favorite albums. One day I will own an original LP but for now I am very happy with my original 45. Enjoy these two great trippy and psychedelic cult gems to help get you through the weekend....

Dedicated to my great lady friend over at Eye Eat Music:

Gandalf's self-titled album is an attractive baroque-psychedelia with a spacey air, slightly experimental feel and slightly weird and spacey production and nice balance of melody and quasi-classical keyboards on the cusp between pop, progressive rock and psychedelia. It was produced by Koppelman and Rubin, who are best known for their production work for The Lovin' Spoonful and The Sopwith Camel.

Until recently next to nothing was known about the group apart from their line-up:

Peter Sando (Guitar)
Bob Muller (Bass)
Frank Hubach (Keyboards)
Dave Bauer (Drums)

Peter Sando tells us that Gandalf had their roots in Thunderbirds, an outfit formed by Bob Muller, which were based in Greenwood Lake, New York. They soon transformed into The Rahgoos and went on to play the bar circuit in Greenwood Lake, N.Y., the Jersey Shore, and various New York City clubs and coffee houses, such as The Phone Booth, Murray The K's World, Electric Circus and legendary Night Owl Cafe, in Greenwich Village.

Bing Crosby's 1948 hit 'Golden Earrings' is given a graceful and ghostly treatment with echoed vocals, powerful crescendos and a psychedelic moan that transforms the composition completely.

Tim Hardin's "Never Too Far" commences dreamily and breaks into some heavily distorted guitar riffing that has a strong lysergic edge.

Gandalf - Golden Earings

Gandalf - Never Too Far